Meisterhaus

Frida Kahlo

Leonardo da Vinci

Pablo Picasso

Rembrandt

Vincent van Gogh

Frida Kahlo

(Mexico, 1907 - 1954)

Naturaleza muerta (Soy de Samuel Fastlicht), 1951
Still Life (I belong to Samuel Fastlicht)

Title: Naturaleza Muerta (Soy de Samuel Fastlicht)
Translation: Still Life (I Belong to Samuel Fastlicht)
Artist: Frida Kahlo
Year: 1951
Medium: Oil on canvas, mounted on wood
Dimensions: 28.6 cm x 35.9 cm (11 ¼ x 14 ⅛ inches)

In 1951 Frida painted Naturaleza Muerta with a composition of fruits among which we distinguish several melons, a pumpkin, a slice of chilacayote and some oranges, around a figurine of a little dog from Colima that has another melon at the top and from right side a large Chinese melon with a flag nailed to it with the legend “I belong to Samuel Fastlicht. I was painted with great affection by Frida Kahlo in 1951. Coyoacán.”Samuel Fastlicht was a dentist of European origin who arrived in Mexico in 1921. He contributed to the understanding of dentistry in Pre-Columbian Mexico, whereby the native peoples herbal medicine in dentistry. This work was completed in 1951 for Dr. Fastlicht as payment for dental work that he completed on Frida Kahlo. The medium is oil on canvas, and it currently belongs to the private collection of Dr. Samuel Fastlicht family.

Leonardo da Vinci

(Italy, 1452 - 1519)

Isabella d’Este

Technique: Oil painting on canvas
Image size: Length 58.0 cm / Width 43,0 cm /
Frame: Length 73,5 cm / Width 61,5 cm / Height 6,5 cmSignature: No
Front protection: No
Rearprotection: No
Dating: 1500

Pablo Picasso

(1881-1973)

Buste de femme

Painted in: Mougins, 28 August 1938
Medium: Oil on canvas
Dimensions: 21¾ x 15 in (55.2 x 38 cm)
Signature: Signed and dated 'Picasso 28A.38' (upper left)
Location: Switzerland

"Buste de femme" has a notable provenance, having passed through several prestigious collections and auctions, including the Valentine Gallery in New York and Christie's, before being acquired by the current owner in Switzerland.The subject of the painting is Nusch Éluard, wife of the poet Paul Éluard, who was one of Picasso's close friends. The painting was created during a summer spent at the Hôtel Vaste Horizon in Mougins, where Picasso and a circle of friends, including Paul and Nusch Éluard, spent time together. This period was marked by romantic entanglements and creative output, with Picasso painting several portraits of Nusch, who was known for her wide almond-shaped eyes and wavy hair.Nusch's life was a blend of fairy tale and survival, with her origins in Alsace and a background in circus and stage performances before she became part of the surrealist circle in Paris. She married Paul Éluard in 1934 and became an integral part of Picasso's social circle. Nusch's health was fragile, and she tragically died in 1946, leaving Éluard devastated.The painting is also mentioned in several important art publications and exhibitions, highlighting its significance in Picasso's oeuvre and its connection to the broader cultural and political context of the time.

Femme à la mantille blanche

Year: 1901
Medium: Oil on canvas
Dimensions: 52 x 60 cm
Signature: Signed ‘Picasso’ (lower left)
Location: Switzerland

Femme à la mantille blanche" by Pablo Picasso, painted in 1901, is a poignant example from his Blue Period, a phase marked by its somber palette of blues and blue-greens. This period reflects Picasso's emotional turmoil, influenced by poverty, the cold Parisian winters, and the tragic suicide of his friend Carlos Casagemas. The painting captures themes of melancholy and solitude, with the use of a traditional Spanish mantilla possibly symbolizing mourning or introspection.During this time, Picasso was not only dealing with personal loss but was also inspired by his interactions with Dr. Louis Jullien, who worked with women in a Parisian prison, further deepening his exploration of human suffering and isolation. "Femme à la mantille blanche" stands as one of the early works where Picasso began to delve into these themes, using his art to express his own feelings of loneliness and despair.The painting's historical context and Picasso's personal experiences at the time make it a significant piece in understanding his artistic development during the early 20th century. Although not as widely discussed as his later works, pieces like this from the Blue Period are celebrated for their emotional depth and Picasso's innovative use of color to convey mood, setting the stage for his future explorations in art.

All essential documentation is available for collectors, including:Detailed Provenance: A fully traceable ownership history through prestigious collections.
Prominent Literature References: Cited in key Picasso publications and catalogues.
Exhibition History: Records of the painting's inclusion in significant exhibitions.Price on RequestInterested in this item? Start a conversation

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L’ENFANT COURONNÉ DE ROSES
GARÇON À LA PIPE

Signed: Lower right: Picasso
Execution: Created in 1957
Medium: Gemmail (glass technique)
Dimensions: 89 x 71 cm (35 x 28 inch)
Condition: Excellent

This remarkable artwork by Picasso was created using the Gemmail technique, a sophisticated process involving the assembly, layering, and fusing of colored glass fragments to form a vibrant, illuminated image. L’Enfant Couronné de Roses evokes Picasso's earlier masterpiece, Garçon à la Pipe from 1905, and showcases the unique possibilities of the Gemmail medium, which Picasso enthusiastically embraced in the 1950s.The painting has been authenticated by Roger Malherbe-Navarre and holds a pristine provenance, having remained in private collections in France before descending to its current owner.It is available for purchase at EUR 7.7 million, free from any liens or financial obligations, and is not subject to any national patrimony legislation.Interested buyers are required to provide a corresponding proof of funds, in the form of a Bank Comfort Letter, to proceed with the purchase.For further inquiries, please contact us at the provided phone number or email address.

Les Gemmaux

List of 24 artworks with title and size1. Portrait de Picasso par lui-même - 54.5 x 35 cm
2. Fermière à l'échelle - 111.5 x 96.5 cm
3. Les Adolescents - 160.5 x 112 cm
4. Mère et enfant - 99.8 x 73.5 cm
5. Pêche de nuit à Antibes - 106.0 x 178 cm
6. Nature morte à la tête de mort - 111.6 x 90.5 cm
7. Carafe et plante de tomate - 76 x 96 cm
8. Femme se coiffant - 135.5 x 96 cm
9. La femme à l'éventail - 92.5 x 84.5 cm
10. Buste de femme - 73 x 66 cm
11. Nature morte au crâne de taureau - 130.0 x 99.0 cm
12. Nature morte à la tête antique - 68.5 x 90.5 cm
13. Course de taureaux - 82 x 113 cm
14. Nature morte au Pigeon - 70.5 x 85 cm
15. Femme dans un fauteuil d'osier - 95.5 x 76 cm
16. Les femmes d'Alger - 110 x 143 cm
17. Portrait de Madame H.P. - 148 x 97.5 cm
18. La reine Isabeau - 95 x 75 cm
19. Paul dessinant - 133 x 100.5 cm
20. Deux femmes ou les deux nus - 102.5 x 77.5 cm
21. Nature morte au pot jaune - 103.0 x 129 cm
22. Femme assise dans un fauteuil - 91.5 x 72 cm
23. Nature morte à la gourde - 60 x 71 cm
24. Portrait de Marie Thérèse W - 74.5 x 62.5 cm

Artist: Pablo Picasso (Spanish, 1881-1973)
Title: Les Gemmaux
Medium: Gemmail (glass technique)
Offer Price: 100 Million Euros
Viewing Location: Hong KongThis is an open offer for Pablo Picasso's Les Gemmaux, a masterpiece created using the unique Gemmail technique—a process that involves layering and fusing colored glass to create a vibrant, illuminated artwork. Les Gemmaux showcases Picasso's innovative exploration of this medium, adding depth and luminosity to his artistic expression.The artwork is available for viewing in Hong Kong. Interested buyers are invited to explore this rare opportunity to acquire a significant piece of Picasso’s legacy.Inquire Now to arrange a viewing and to discuss further details.

rembrandt

(1606-1669)

De Staalmeesters

Artist: Rembrandt van Rijn
Title: The Staalmeesters
Size: 183 cm x 277 cm
Year: Painted in 1661
Medium: Oil on canvas
Condition: Excellent
Location: Private collection, Basel, Switzerland

This significant painting, The Staalmeesters, was created by Rembrandt in 1661 and is a masterpiece of Dutch Golden Age art. The artwork, currently held in a private collection, has been authenticated through comprehensive documentation, including a Certificate of Opinion (2012), an Affidavit (2022), and several expert reports confirming its authenticity.The painting has been privately owned in Switzerland for over 110 years, with its provenance dating back to 1974.Extensive literature and scholarly references accompany this piece, ensuring its historical importance and authenticity.The painting is available for purchase at CHF 220 million.Interested parties can access all original documents and have the painting independently examined upon signing a Non-Disclosure and Non-Circumvention Agreement (NDNCA) and providing proof of capital.Literature References:
The painting is referenced in numerous scholarly works, including:Baedeker, Karl. Belgien und Holland (1909)
Bredius, A. Rembrandt Gemälde (1935)
Benesch, Otto. The Drawings of Rembrandt (1973)
Schwartz, Gary. Meet Rembrandt (2009)This artwork represents a rare opportunity to acquire a verified Rembrandt masterpiece with a fully documented history.

van gogh

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